The 2025 GRAMMYs take place Sunday, Feb. 2, at Crypto.com Arena in Los Angeles. Nominations for the 2025 GRAMMYs will be announced Friday, Nov. 8, 2024.
Graphic Courtesy of the Recording Academy
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The 2025 GRAMMYs return to Los Angeles on Sunday, Feb. 2. Nominations for the 2025 GRAMMYs will be announced Friday, Nov. 8. Learn more about the key dates and deadlines ahead of Music's Biggest Night.
John Ochoa
|GRAMMYs/May 21, 2024 - 12:59 pm
Music's Biggest Night is back! The 2025 GRAMMYs will take place Sunday, Feb. 2, live at Crypto.com Arena in Los Angeles, the Recording Academy announced today. The 2025 GRAMMYs will broadcast live on the CBS Television Network and stream live and on demand on Paramount+. As well, nominations for the 2025 GRAMMYs will be announced Friday, Nov. 8, 2024. See the full list of key dates and deadlines for the 2025 GRAMMYs, officially known as the 67th Annual GRAMMY Awards, below.
Key dates for the 2025 GRAMMY Awards season are as follows:
Sept. 16, 2023 – Aug. 30, 2024
Product Eligibility Period
The period by which recordings are submitted for GRAMMY consideration. All releases must be available for sale, via general distribution, to the public by this date and through at least the date of the current year’s voting deadline (final ballot) to be eligible for the 2025 GRAMMY Awards.
July 8, 2024 – Aug. 23, 2024
Media Company Registration Period
Media companies must apply for registration with the Recording Academy to submit recordings.
July 17, 2024 – Aug. 30, 2024
Online Entry Period
All eligible recordings must be entered prior to the close of the Online Entry Period, regardless of the public release date.
Oct. 4, 2024 – Oct. 15, 2024
First Round Voting
First Round Voting determines all the GRAMMY nominees for each GRAMMY Awards year.
Nov. 8, 2024
Nominees Announced for the 2025 GRAMMY Awards
Announcing the official nominees list for the 2025 GRAMMYs.
Dec. 12, 2024 – Jan. 3, 2025
Final Round Voting
Determines the GRAMMY winners across all categories revealed on GRAMMY night.
Feb. 2, 2025
2025 GRAMMY Awards
Music's Biggest Night, recognizing excellence in the recording arts and sciences.
This February, the 2024 GRAMMYs proved to be an epic, history-making night. Women dominated the 2024 GRAMMYs: For the second time in four years, women won in the majority of the General Field Categories, winning Album Of The Year (Taylor Swift), Song Of The Year (Billie Eilish), Record Of The Year (Miley Cyrus), and Best New Artist (Victoria Monét). Elsewhere, Taylor Swift broke the all-time record for most GRAMMY wins in the Album Of The Year Category after winning for Midnights. Tyla won the first-ever GRAMMY Award for Best African Music Performance, one of three new GRAMMY Categories that debuted this year.
The 2024 GRAMMYs also celebrated the return of music legends, including Tracy Chapman, Joni Mitchell and Celine Dion, and ushered in new music icons-in-the-making like Victoria Monét, Samara Joy and Tyla. Relive some of the must-see moments and memorable, heartwarming acceptance speeches from the 2024 GRAMMYs. And rewatch all of the performances and key highlights from the 2024 GRAMMYs all year long on Live.GRAMMY.com.
Learn more about the upcoming 2025 GRAMMY Awards season and the annual GRAMMY Awards process.
GRAMMY News, Performances & Highlights
GRAMMY Award statue
Photo: Jathan Campbell
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Key updates to the 2025 GRAMMY Awards season include adjustments to eligibility criteria, Category renaming, and submission guidelines updates for some Categories, including the Songwriter Of The Year, Non-Classical Category.
Nina Frazier
|GRAMMYs/Jun 14, 2024 - 01:53 pm
The Recording Academy, the organization behind the annual GRAMMY Awards, is sharing a series of updates to the annual GRAMMY Awards process for the 2025 GRAMMYs, officially known as the 67th GRAMMY Awards, which take place Sunday, Feb. 2, live at Crypto.com Arena in Los Angeles.
Key updates to the 2025 GRAMMY Awards season include adjustments to eligibility criteria, Category renaming, and submission guidelines updates for some Categories, including the Songwriter Of The Year, Non-Classical Category. All updates go into effect immediately at the 2025 GRAMMYs.
The 2024 amendments were voted on and passed at the Recording Academy's semiannual Board of Trustees meeting. These changes, designed to enhance the integrity and inclusivity of the awards, reflect the Academy's commitment to staying current with the evolving music industry.
Read more: 2025 GRAMMYs To Take Place Sunday, Feb. 2, Live In Los Angeles; GRAMMY Awards Nominations To Be Announced Friday, Nov. 8, 2024
The Recording Academy accepts proposals for changes to the GRAMMY Awards process from members of the music community year-round. The Awards & Nominations Committee, composed of Recording Academy Voting Members from diverse genres and backgrounds, meets annually to review proposals to update Awards Categories, procedures and eligibility guidelines.
For more information about the 2025 GRAMMY Awards season, learn more about the annual GRAMMY Awards process, read our FAQ (Frequently Asked Questions) section, view the official GRAMMY Awards Rules and Guidelines, and visit the GRAMMY Award Update Center for a list of real-time changes to the GRAMMY Awards process.
Read the updates and amendments for the 2025 GRAMMYs in full below:
Eligibility, Criteria & Submission Guidelines Amendments:
All eligibly-credited Featured Artists with under 50% playtime will now be awarded a Winners' Certificate for all genre album Categories. (Note: Does not apply to Best Musical Theater Album, the General Field or Craft Categories.)
In the Songwriter Of The Year, Non-Classical Category, the following submission guidelines were amended, allowing for wider representation of the songwriter community:
See AlsoJames Taylor reflects on his musical memories and his 19th Grammy nominationJames Taylor | Biography, Songs, & FactsJames Taylor - Songs, Albums & SpouseHere Are All the Winners From the 2021 Grammy AwardsThe minimum submission threshold in which a songwriter is credited as a songwriter or co-writer (not a primary or featured artist or producer) was reduced from five to four songs.
The additional number of songs a songwriter may enter in which they are also credited as a primary or featured artist, or any other supporting role, increased from four to five.
The criteria was amended to more accurately represent recordings that embody the classic elements of R&B/soul music, distinguishing them from contemporary interpretations of the genre.
The Best Traditional Pop Vocal Album Category criteria was amended to expand the Category by broadening its scope and welcoming more entries from the Musical Theater community. Additionally, album eligibility criteria was updated to require that albums in this Category must contain more than 75% of newly recorded (previously unreleased) performances.
The Best Children's Music Album Category criteria was amended to include a requirement that lyrics and English-language translations must be included with entry submissions. Additionally, an intended audience age range for this Category was defined as infant to 12 years old.
GRAMMY Award Category Adjustments:
The Best Remixed Recording Category has moved from the Production, Engineering, Composition & Arrangement Field into the Pop & Dance/Electronic Field.
The Category formerly known as Best Pop Dance Recording has been renamed Best Dance Pop Recording.
The Best Dance/Electronic Music Album Category was renamed to Best Dance/Electronic Album, and the Category criteria was amended to establish that albums must be made up of at least 50% Dance/Electronic recordings to qualify.
Conjunto music will now be recognized in the Best Regional Roots Music Album Category, rather than the Best Música Mexicana Album (Including Tejano) Category.
The Best Score Soundtrack for Video Games and Other Interactive Media Category was amended to include a qualification for released material, specifically new DLC (downloaded content in-game) and Seasonal Expansions. The updated qualification establishes that greater than 50% of the music on an otherwise eligible Video Game Soundtrack or Interactive Media Soundtrack must be derived from new episodes or new programming released during the GRAMMY eligibility year for which it is entered.
GRAMMY News, Performances & Highlights
Music Educator Award
Photo Courtesy ofthe Recording Academy and GRAMMY Museum
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Nina Frazier
|GRAMMYs/May 8, 2024 - 01:10 pm
Today, the Recording Academy and GRAMMY Museum announced a total of 215 music teachers as quarterfinalists for the 2025 Music Educator Award. This prestigious award is given to current educators—from kindergarten through college in both public and private schools—who have made a significant and lasting contribution to the field of music education and who advocate for the ongoing inclusion of music education in schools. This year’s quarterfinalists hail from 202 cities and were chosen from more than 2,400 initial nominations. Additionally, 159 legacy applicants from 2024 are also eligible for this year’s award.
Semi-finalists for the 2025 Music Educator Award will be announced later this year. The ultimate recipient will be celebrated during GRAMMY Week 2025.
A collaborative effort between the Recording Academy and GRAMMY Museum, the Music Educator Award invites nominations from students, parents, friends, colleagues, community members, school deans, and administrators. Teachers may also nominate themselves, and those nominated are invited to complete a more detailed application.
Each year, one recipient is selected from among 10 finalists and recognized for their profound impact on students' lives. The 11th annual honoree will be flown to Los Angeles to attend the 67th GRAMMY Awards and participate in various GRAMMY Week events. The nine other finalists will receive a $1,000 honorarium, and the schools of all 10 finalists will receive matching grants. Additionally, fifteen semi-finalists will be awarded a $500 honorarium with matching school grants.
Read More:
The Music Educator Award program, including the honorariums and matching school grants, is supported by the Chuck Lorre Family Foundation this year. Additional backing comes from the American Choral Directors Association, National Association for Music Education, NAMM Foundation, and National Education Association, which support the program through outreach to their members.
Learn more about the Music Educator Award and see the full list of the 2025 Music Educator Award quarterfinalists and legacy applicants below:
QUARTERFINALISTS
Name | School | City | State |
---|---|---|---|
Bryant Adler | Alcoa Elementary School | Alcoa | Tennessee |
Patrick Aguayo | Rolling Hills Middle School | Los Gatos | California |
Chrsitopher Alberts | School Without Walls | Washington | Washington, D.C. |
Bobi-Jean Alexander | Seneca Valley Senior High School | Harmony | Pennsylvania |
Erin Althen | Westhill High School | Syracuse | New York |
Kathleen Amabile | Elk Lake Junior-Senior High School | Springville | Pennsylvania |
Michael Antmann | Freedom High School | Orlando | Florida |
Amanda Babco*ck | Merrimack Valley Middle School | Penacook | New Hampshire |
Eric Bable | Crestview High School | Columbiana | Ohio |
Natalie Baker | Missoula International School | Missoula | Montana |
Jean-Paul Balmat | Mission Bay High School | San Diego | California |
Russell Balusek | Edna High School | Edna | Texas |
Lee Anne Barnes | Thomas Street Elementary School | Tupelo | Mississippi |
Makynzie Barton | Elkton High School | Elkton | Maryland |
Andrew Beasley | Pearl High School | Pearl | Mississippi |
Daniel Beilman | Oak Park School | Sarasota | Florida |
Andrew Bennett | Fredonia High School | Fredonia | New York |
David Billingsley | DeLaSalle High School | Minneapolis | Minnesota |
Stephen Blanco | Las Vegas High School | Las Vegas | Nevada |
Mike Bogle | Dallas College Cedar Valley Campus | Dallas | Texas |
Sarah Boline | Johns Hill Magnet School | Decatur | Illinois |
Cherie Bowe | Pascagoula High School | Pascagoula | Mississippi |
Nathan Bowman | Southeast Middle School | Salisbury | North Carolina |
Tamiko Bridges | Laurel High School | Laurel | Mississippi |
Justin Britt | Kingston Public Schools | Kingston | Oklahoma |
Korey Bruno | Westfield High School | Westfield | Massachusetts |
Richard Butler | Jack Britt High School | Fayetteville | North Carolina |
Jason Canfield | Prescott High School | Prescott | Wisconsin |
Clayton Capello | Pettus ISD | Pettus | Texas |
Dr. John Carlisle | Hannan JSHS | Ashton | West Virginia |
Taylor Cash | Albertville High School | Albertville | Alabama |
Barry Chesky | Dulaney High School | Timonium | Maryland |
Ethan Chessin | Camas High School | Camas | Washington |
Ernesta Chicklowski | Roosevelt Elementary School | Tampa | Florida |
Donna Clark | Miguel Juarez Middle School | Waukegan | Illinois |
Jeremy Cole | Southern Middle School | Somerset | Kentucky |
James Cooney | Mayville High School | Mayville, WI | Wisconsin |
Paul Corn | Susan E. Wagner High School | Staten Island | New York |
Kevin Croxton | Oliver Springs Elementary School | Van Buren | Arkansas |
Brandon Czubachowski | Spring Valley Hall High School | Spring Valley | Illinois |
Mike D'Errico | Albright College | Reading | Pennsylvania |
Nicole Davidson | Susan E. Wiley Elementary School | Copiague | New York |
Andy Davis | Reavis High School | Burbank | Illinois |
Kelly DeHaan | Mountain Ridge High School | Herriman | Utah |
David Dehnet | Oral Roberts University | Tulsa | Oklahoma |
Joe DeLisi | Chisago Lakes High School | Lindstrom | Minnesota |
Jesse Dooley | Millbury Jr./Sr. High School | Millbury | Massachusetts |
Lawrence Dubill | Hamburg High School | Hamburg | New York |
Bridget Duffy-Ulrich | Oshkosh North High School | Oshkosh | Wisconsin |
Jared Duncan | DeKalb School of the Arts | Avondale Estates | Georgia |
Nicole Durkin | Argo Community High School | Summit | Illinois |
Kaley Eaton | Cornish College of the Arts | Seattle | Washington |
Cindy Ellis | Miami Arts Studio 6-12 at Zelda Glazer | Miami | Florida |
Clerida Eltime | WHIN Music Community Charter School | New York | New York |
Grady Emmert | Lake Buena Vista High School | Orlando | Florida |
Gerardo Escobar | Riverside Middle School | El Paso | Texas |
Regan Eudy | Central Elementary School | Albemarle | North Carolina |
Kevin Fallon | C.W. Worthington Middle School | Haslet | Texas |
Jason Falvo | Waynesburg Central Elementary | Waynesburg | Pennsylvania |
Mike Fedyszyn | Riverview Middle School | Plymouth | Wisconsin |
Daniel Ferreira | Klein Intermediate School | Houston | Texas |
Jill Fetty | Clear Falls High School | League City | Texas |
Joe Finnegan | DC Everest Senior High School | Weston | Wisconsin |
Joseph Flores | Mesa Middle School | Roswell | New Mexico |
Jasmine Fripp | KIPP Nashville Collegiate High School | Nashville | Tennessee |
Sarah Fulton | Kings Mountain High School | Kings Mountain | North Carolina |
Stefanie Gardner | Glendale Community College | Glendale | Arizona |
Ryan Geary | Sanford High School | Sanford | Maine |
Emily Golden | East Burke High School | Connelly Springs | North Carolina |
Rob Goldman | Westwood High School | Westwood | Massachusetts |
Alex Grimm | F.J. Reitz High School | Evansville | Indiana |
Melanie Gunn | Whitman Middle School | Seattle | Washington |
Daniel Gutierrez | Nixa High School | Nixa | Missouri |
Holly Haffner | Grissom Middle School | Sterling Heights | Michigan |
Michael Hamann | West Ottawa High School | Holland | Michigan |
Tony Aaron Hambrick | Jessye Norman School of the Arts | Augusta | Georgia |
Cordara Harper | Grambling State University | Grambling | Louisiana |
Vernon Harris | Pulaski Heights Middle School | Little Rock | Arkansas |
Sarah Hart | Islander Middle School | Mercer Island | Washington |
Kellie Harvey | Fruitland Primary School | Fruitland | Maryland |
Toby Harwell | Wiseburn Middle School | Hawthorne | California |
Rachael Heffner | Brookhaven Innovation Academy | Norcross | Georgia |
Bobby Helms | Copiah-Lincoln Community College | Wesson | Mississippi |
Bernie Hendricks, Jr. | Ocoee High School | Ocoee | Florida |
Christopher Henke | Kittatinny Regional High School | Newton | New Jersey |
Brian Henson | Walnut Grove High School | Prosper | Texas |
Samuel Hjort | Mission High School | Mission | Texas |
Matt Howe | Cathedral City High School | Cathedral City | California |
Cole Hunt | Burchfield Elementary School | Oneida | Tennessee |
Andria Hyden | Bedichek Middle School | Austin | Texas |
Brandi Jason | Liberty High School | Eldersburg | Maryland |
Sonja Jewell | Loudoun Country Day School | Leesburg | Virginia |
Jennifer Jimenez | South Miami Sr. High School | Miami | Florida |
John Johnson | Boyd County High School | Ashland | Kentucky |
Amir Jones | Thomas W. Harvey High School | Painesville | Ohio |
Brian Joyce | South Jones High School | Ellisville | Mississippi |
Wimberly Kennedy | Red Bank High School | Chattanooga | Tennessee |
Larry Kennon | Troy Christian Junior High/High School | Troy | Ohio |
Joshua Krohn | Brent Elementary School | Washington | Washington, D.C. |
Erin Kronzek | Unity School | Delray Beach | Florida |
Sarah Labrie | Lexington High School | Lexington | Massachusetts |
J Alan Landers | Lakenheath High School | Apo | Armed Forces |
Eric Laprade | The College of New Jersey | Ewing | New Jersey |
Samantha Leali | Shenango Junior/Senior High School | New Castle | Pennsylvania |
Richelle Lenoir | Global Leadership Academy High School | Jacksonville | Florida |
Lindsay Linderman | Murray LaSaine Montessori School | Charleston | South Carolina |
Katanna Linn | Highlands Ranch High School | Highlands Ranch | Colorado |
Candace Love | August Boeger Middle School | San Jose | California |
Christopher Lubken | Robert Service High School | Anchorage | Alaska |
Ryan Mack | P.S. 10 Magnet School of Math, Science, and Design Technology | Brooklyn | New York |
Rebecca MacLeod | University of Illinois Urbana Champaign | Champaign | Illinois |
Adrian Maclin | Cordova High School | Memphis | Tennessee |
Cyndi Mancini | Montour High School | McKees Rocks | Pennsylvania |
Kate Margrave | Pine Creek High School | Colorado Springs | Colorado |
Matt Martindale | Shelby County High School | Columbiana | Alabama |
Abigail Martinez | Erie Middle School | Erie | Colorado |
Kathleen McCarthy | Attleboro High School | Attleboro | Massachusetts |
Leigh Ann McClain | Griffin Middle School | The Colony | Texas |
Erin McConnell | Camillus Middle School | Camillus | New York |
Lawrence McCrobie | Valley High School | Louisville | Kentucky |
Jay McCulley | Sunset Middle School | Brentwood | Tennessee |
Angela McKenna | Classen School of Advanced Studies at Northeast High School | Oklahoma City | Oklahoma |
Jonathan R.P. McTier III | Alief Hastings High School | Houston | Texas |
Kimberly Meader | Green Bay Preble High School | Green Bay | Wisconsin |
Jessie Mersinger | New Brunswick High School | New Brunswick | New Jersey |
Adam Mewhorter | Southmoore High School | Moore | Oklahoma |
James Minnix | Central Connecticut State University | New Britian | Connecticut |
Jake Mitchell | Hebron Middle School | Shepherdsville | Kentucky |
William J. Molineaux | The Osceola County School for the Arts | Kissimmee | Florida |
Darren Motamedy | Walter Johnson International Academy | Las Vegas | Nevada |
Jonathan Mracko | Postlethwait Middle School | Camden Wyoming | Delaware |
Curtis Mulvenon | Shawnee Mission West High School | Overland Park | Kansas |
Elizabeth Nardone | EM Stanton School | Philadelphia | Pennsylvania |
Michelle Nielsen | Diamond Canyon School | Anthem | Arizona |
Kelly Nieman | Alden Intermediate School | Alden | New York |
Mallory Norton | Weddington High School | Matthews | North Carolina |
Heather Orr | Montgomery High School | Montgomery | Texas |
Augustine Ortiz | Edgar Allen Poe Middle School | San Antonio | Texas |
Jeremy Overbeck | Century High School | Bismarck | North Dakota |
Andrew Pahos | John Sevier Middle School | Kingsport | Tennessee |
Lindsey Parker | Laguna Beach High School | Laguna Beach | California |
Andrew Pease | Hartwick College | Oneonta | New York |
TJ Pelanek | Underwood Public School | Underwood | Minnesota |
Justin Peterson | Middle School 67Q Louis Pasteur | Little Neck | New York |
Anthony Pickard | Dr. Martin Luther King, Jr. High School | Lithonia | Georgia |
Preston Pierce | Plano West Senior High School | Plano | Texas |
Thomas Pierre | Rosa L. Parks ES | Hyattsville | Maryland |
Chris Pierson | Chaparral High School | Las Vegas | Nevada |
Jonathan Powell | West End High School | Walnut Grove | Alabama |
Courtney Powers | Hoboken Charter School | Hoboken | New Jersey |
Briony Price | Gramercy Arts High School | New York City | New York |
Neal Raskin | Big Foot Union High School | Walworth | Wisconsin |
Marc Ratner | Mineola High School | Garden City Park | New York |
Tess Remy-Schumacher | University of Central Oklahoma | Edmond | Oklahoma |
Stephen Rew | Raymore-Peculiar High School | Peculiar | Missouri |
Cindy Reynolds | Sacred Heart of Jesus Catholic School | Shawnee | Kansas |
Lou Ribar | Lenape Elementary | Ford City | Pennsylvania |
Dianna Richardson | Cleveland School of the Arts | Cleveland | Ohio |
Michael Richardson | Perry Meridian High School | Indianapolis | Indiana |
Leslie Riedel | Capital High School | Charleston | West Virginia |
Adam Robinson | Norwood High School | Norwood | Ohio |
James Robinson | Elkin High School | Elkin | North Carolina |
Nathan Rodahl | Port Angeles High School | Port Angeles | Washington |
Darren Rodgers | St. Augustine High School | New Orleans | Louisiana |
Lenae Rose | Morgan County High School | Madison | Georgia |
Stewart Rosen | Walter Reed Middle School | North Hollywood | California |
David Roth | Lakeside High School | Ashtabula | Ohio |
Seth Rowoldt | Annunciation Orthodox School | Houston | Texas |
Stefanie Sagaro | Academy for Innovative Education Charter School | Miami Springs | Florida |
Maura Saint | Blackhawk High School | Beaver Falls | Pennsylvania |
Mike Scott | Columbia Basin College | Pasco | Washington |
Kelly Seymour | Ballston Spa Middle/High School | Ballston Spa | New York |
Natalie Sheeler | Sturgis Charter Public School | Hyannis | Massachusetts |
Matthew Shephard | Meridian Early College High School | Sanford | Michigan |
Aleshia Shouse | Christian Academy of Indiana | New Albany | Indiana |
Alex Sieira | Harrison High School | Harrison | New Jersey |
Adria Smith | Marblehead Community Charter Public School | Marblehead | Massachusetts |
Anthony Spano | Culver City High School | Culver City | California |
William Steadman | General McLane High School | Edinboro | Pennsylvania |
Mike Steep | Parkway Northeast Middle School | Creve Coeur | Missouri |
Katie Stephens | Charles D. Owen High School | Black Mountain | North Carolina |
Evelyn Stohlman | Bishop Shanahan High School | Downingtown | Pennsylvania |
Kokoe Tanaka-Suwan | Parsons Memorial & Purchase Elementary Schools | Harrison | New York |
Jameelah Taylor | Trevor Day School | New York City | New York |
Brian Teed | Wakeland High School | Frisco | Texas |
Josh Tharp | West Fairmont Middle School and Rivesville Elementary/Middle School | Fairmont | West Virginia |
Jennifer Theisen-Gray | William M. Colmer Middle School | Pascagoula | Mississippi |
Mark Thomas | Upper Perkiomen | Pennsburg | Pennsylvania |
Zachary Thomas | Ledyard High School | Ledyard | Connecticut |
Alex Underwood | Hays High School | Hays | Kansas |
Craig Uppercue | Volusia County Schools | Daytona Beach | Florida |
Lindsay Vasko | Walnut Grove High School | Prosper | Texas |
Allen Venezio | East River High School | Orlando | Florida |
Felicia Villa | Point Pleasant Borough High School | Point Pleasant | New Jersey |
James Villegas | Grossmont High School | El Cajon | California |
Rachel Waddell | Colorado State University | Fort Collins | Colorado |
Meghan Wagner | Auburn Riverside High School | Auburn | Washington |
Bryan Waites | Clements High School | Sugar Land | Texas |
Donald Walter | Northwest Guilford High School and Northwest Guilford Middle School | Greensboro | North Carolina |
Victoria Warnet | Columbus State University | Columbus | Georgia |
Christopher Weddel | Fremont High School | Fremont | Nebraska |
Elliot Weeks | Seattle Preparatory School | Seattle | Washington |
Kayla Werlin | Longmeadow High School | Longmeadow | Massachusetts |
Bryce Werntz | Oak Hill High School | Oak Hill | Ohio |
Robert West | Clark High School | Las Vegas | Nevada |
Aria Westbrook | Hawfields Middle School | Mebane | North Carolina |
Kimberly Whitehead | Sikeston High School | Sikeston | Missouri |
Jeremy Williams | Marrero Middle School | Marrero | Louisiana |
Doretha Williams | GEO Next Generation High School | Baton Rouge | Louisiana |
Kelly Winovich | Northgate Middle/Senior High School | Pittsburgh | Pennsylvania |
Kate Wisbey | Charlottesville Catholic School | Charlottesville | Virginia |
Elise Witt | Global Village Project | Decatur | Georgia |
Scott Woodard | West Virginia State University | Institute | West Virginia |
Amber Yates | Thompson Middle School | Alabaster | Alabama |
Christopher-Rey Yraola | Ramón C. Cortines School of Visual and Performing Arts | Los Angeles | California |
LEGACY APPLICANTS
Name | School | City | State | |
---|---|---|---|---|
Bruce Adams | Sam Houston High School | San Antonio | Texas | |
Casie Adams | Martinsburg High School | Martinsburg | West Virginia | |
Miguel Aguiar | Southwest High School | San Antonio | Texas | |
Dawn Amthor | Wallkill Senior High School | Wallkill | New York | |
Christopher Andrews | Hephzibah High School | Hephzibah | Georgia | |
Jeanne Andrews | Petway Elementary School | Vineland | New Jersey | |
Justin Antos | Dwight D. Eisenhower High School | Blue Island | Illinois | |
Javier Arau | New York Jazz Academy | New York | New York | |
Timothy Arnold | Orono High School | Long Lake | Minnesota | |
Elizabeth Baker | Mary Martin Elementary | Weatherford | Texas | |
Andre Barnes | Science Park High School | Newark | New Jersey | |
Jeremy Bartunek | Greenbriar School | Northbrook | Illinois | |
Adem Birson | New York University | New York | New York | |
Benjamin Blasko | Lipscomb University | Nashville | Tennessee | |
Amanda Blevins | Tri-Valley High School | Dresden | Ohio | |
Susan Boddie | Valdosta State University | Valdosta | Georgia | |
Adrian Bonner | Lancaster High School | Lancaster | Texas | |
Steve Browne | Nashville Community High School | Nashville | Illinois | |
Ryan Bulgarelli | Williamsport Area High School | Williamsport | Pennsylvania | |
Cathryn Burt | East Newton High School | Granby | Missouri | |
James Byrn, Jr. | Maconaquah High School | Bunker Hill | Indiana | |
Mary Catherine Campbell | Seven Pines Elementary School | Sandston | Virginia | |
Helen Capehart | Bridgeport High School | Bridgeport | Texas | |
Marcos Carreras | Conservatory of the Arts | Springfield | Massachusetts | |
Roger Chagnon | Westfield Academy and Central School | Westfield | New York | |
Kristopher Chandler | Gautier High School | Gautier | Mississippi | |
Jeff Chang | Decatur High School | Federal Way | Washington | |
Travis Coakley | William Carey University | Hattiesburg | Mississippi | |
Vanessa Cobb | Montgomery Central High School | Cunningham | Tennessee | |
Trish Conover | Community Middle School | Plainsboro | New Jersey | |
John Contreras | Pueblo High School | Tucson | Arizona | |
Daniel Cook | Ithaca College | Ithaca | New York | |
Kyle Cook | Western Branch Middle School | Chesapeake | Virginia | |
Travis Cook | Plymouth Christian Academy | Canton | Michigan | |
Andrew Cote | Merrimack College | North Andover | Massachusetts | |
Drew Cowell | Belleville East High School | Belleville | Illinois | |
Cory Joy Craig | Benton Intermediate School | Benton | Louisiana | |
Matthew Cunningham | Brockton High School | Brockton | Massachusetts | |
Isaac Daniel III | Stax Music Academy | Memphis | Tennessee | |
Jackie Deen | Pottsboro High School | Pottsboro | Texas | |
Matthew Denman | Classen School of Advanced Studies | Oklahoma City | Oklahoma | |
Ryan Diefenderfer | Paradise Valley High School | Phoenix | Arizona | |
Jennifer DiVasto | Pennridge School District | Perkasie | Pennsylvania | |
Antoine Dolberry | P.S. 103 Hector Fontanez School | Bronx | New York | |
George Dragoo | Stevens High School | Rapid City | South Dakota | |
Marisa Drake | Patuxent High School | Lusby | Maryland | |
Kathleen Dudley | Andrew Cooke Magnet School | Waikegan | Illinois | |
Jonathan Eising | James Hubert Blake High School | Silver Spring | Maryland | |
Jonathan Eldridge | Weston Public Schools | Weston | Massachusetts | |
Carol Evans | Gwynedd Mercy University | Gwynedd Valley | Pennsylvania | |
Anthony Ferreira | Suffield High School | West Suffield | Connecticut | |
Tamara Frazier | North Valleys High School | Reno | Nevada | |
J.D. Frizzell | Briarcrest Christian School | Eads | Tennessee | |
Chesteron Frye | St. Helena College & Career Academy | Denham Springs | Louisiana | |
Matt Gerry | Salina South Middle School | Salina | Kansas | |
Anna Girling | Sebastopol Attendance Center | Sebastopol | Mississippi | |
Serena Gorham | Weare Middle School | Weare | New Hampshire | |
Kylie Griffin | Dozier Elementary | Erath | Louisiana | |
Jessica Gronberg | Hawkes Bluff Elementary | Davie | Florida | |
Nathaniel Gunter | Greer High School | Greer | South Carolina | |
Amy Hannequin | Bethel Middle School | Bethel | Connecticut | |
Crystal Harding | Ypsilanti Community High School | Ypsilanti | Michigan | |
Diane Harrigan | Bloom High School | Chicago Heights | Illinois | |
Toye Harris | Miami High School | Miami | Oklahoma | |
Chris Hayslette | Bridgeport Middle School | Bridgeport | West Virginia | |
Colette Hebert | Yonkers Public Schools | Yonkers | New York | |
Martha Heise | Seventh Street School | Oil City | Pennsylvania | |
Jonathan Helmick | Slippery Rock University | Slippery Rock | Pennsylvania | |
Joel Hill | Velma Jackson High School & Shirley | Camden | Mississippi | |
Elaine Holmes | Comsewogue High School | Port Jefferson Station | New York | |
Victor Iapalucci | Phillip Barbour High School | Philippi | West Virginia | |
Devin James | Salem High School | Conyers | Georgia | |
Heidi Jaye | Daniel Webster Elementary School | New Rochelle | New York | |
Jamie Jones | Manzano Day School | Albuquerque | New Mexico | |
Daniel Joosten | Edgerton High School | Edgerton | Wisconsin | |
Brett Keith | Northern Bedford County Middle/High | Loysburg | Pennsylvania | |
Deonte Kennedy | Craigmont High School | Memphis | Tennessee | |
Lou Kitchner | Bedford Middle School | Westport | Connecticut | |
Michael Kiyoi | San Marcos High School | Santa Barbara | California | |
Kate Klotz | Monarch High School | Louisville | Colorado | |
Heidi Kohler | Ypsilanti Community High School | East Amherst | New York | |
Michael Lapomardo | Shrewsbury High School | Shrewsbury | Massachusetts | |
Morgan Lentino | Otter Creek Elementary | Elgin | Illinois | |
Lisa Linde | Newton South High School | Newton | Massachusetts | |
Cole Lundquist | Gloucester High School | Gloucester | Massachusetts | |
Marci Malone DeAmbrose | Lincoln Southwest High School | Lincoln | Nebraska | |
Bob Mamminga | St. Francis High School | Wheaton | Illinois | |
Jayson Martinez | Arts High School | Newark | New Jersey | |
Kevin McDonald | Wellesley High School | Wellesley | Massachusetts | |
Larrian Menifee | Ball High School | Galveston | Texas | |
Kim Mettert | East Noble Middle School | Kendallville | Indiana | |
Natalie Moore | Sullivan High School | Sullivan | Missouri | |
Coty Raven Morris | Portland State University | Portland | Oregon | |
Brian Nabors | Shelby High School | Shelby | Ohio | |
Jenny Neff | University of the Arts | Philadelphia | Pennsylvania | |
Cassandra Nelson | Mountaineer Middle School | Morgantown | West Virginia | |
Trevor Nicholas | Nicholas Senn High School | Chicago | Illinois | |
Sam Noyce | Thomas Jefferson Jr. High School | Kearns | Utah | |
Tim O’Donnell | Ephrata High School | Ephrata | Washington | |
Shakia Paylor | City Neighbors High School | Baltimore | Maryland | |
Kathy Perconti | Wayne Central High School | Ontario Center | New York | |
Catherine Plichta | Theatre Arts Production Company School | Bronx | New York | |
Felix Ponce | Back of the Yards College Preparatory High School | Chicago | Illinois | |
David Pope | Baldwin Wallace University | Berea | Ohio | |
Brian Querry | Charles A. Huston Middle School | Lower Burrell | Pennsylvania | |
Lance Rauh | Patriot Oaks Academy | St. Johns | Florida | |
Hoza Redditt | MSA East Academy | Saint Gabriel | Louisiana | |
Heather Rentz | St. Mark School (Westpark) | Cleveland | Ohio | |
Sarah Riechers | Thurgood Marshall Elementary School | Manassas | Virginia | |
Stephanie Robertson | Ponchatoula High School | Ponchatoula | Louisiana | |
Bethany Robinson | Noblesville High School | Noblesville | Indiana | |
Keith Robinson | Jefferson Avenue Elementary | Seguin | Texas | |
Alberto Rodriguez | Mount Vernon High School | Alexandria | Virginia | |
Shawn Royer | Marian University | Indianapolis | Indiana | |
Dayshawn Russell | North Iberville Elementary and High School | Rosedale | Louisiana | |
Hannah Ryan | University of Virginia’s College at Wise | Wise | Virginia | |
Kyle Ryan | Turkey Hill School | Orange | Connecticut | |
Ashley Sands | Kennedy Secondary School | Fergus Falls | Minnesota | |
Mark Santos | Santa Ana High School | Santa Ana | California | |
Danni Schmitt | Roland Park Elementary/Middle School | Baltimore | Maryland | |
Kevin Schoenbach | Oswego High School | Oswego | Illinois | |
Eric Schultz | Coastal Carolina University | Conway | South Carolina | |
Josh Settlemyre | R.J. Reynolds High School | Winston-Salem | North Carolina | |
Jason Shiuan | Saratoga High School | Saratoga | California | |
Katie Silcott | Olentangy Shanahan Middle School | Lewis Center | Ohio | |
Thomas Slater | Sumter School District | Sumter | South Carolina | |
Joani Slawson | Holy Trinity Episcopal Academy | Melbourne | Florida | |
Timothy Sloan | Albright Middle School | Houston | Texas | |
Andrew Smith | Charlotte Central School | Charlotte | Vermont | |
Cathryn Smith | Coleman High School | Coleman | Texas | |
Jessie Smith | Yes Prep Public Schools | Houston | Texas | |
Patrick Smith | Cooperative Arts High School | New Haven | Connecticut | |
Tony Spano | Culver City High School | Culver City | California | |
Wes Sparkes | Eagleview Middle School | Colorado Springs | Colorado | |
Julian Spires | Meade Middle School | Fort Meade | Maryland | |
Shannon Stem | University Academy | Panama City | Florida | |
Harold Stephan | Stuyvesant High School | New York | New York | |
Cassandra Sulbarán | Braintree High School | Braintree | Massachusetts | |
Lynn Sweet | Mount Anthony Union High School | Bennington | Vermont | |
Jessica Torres | Elmont Memorial Jr/Sr High School | Elmont | New York | |
Michelle Trinidad | Sacred Heart School | Bronx | New York | |
Alice Tsui | New Bridges Elementary | Brooklyn | New York | |
Martin Urbach | Harvest Collegiate High School | New York | New York | |
Johny Vargas | Pueblo High School | Tucson | Arizona | |
Amy Villanova | Canyon Crest Academy | San Diego | California | |
Valerie Vinnard | Webster Elementary | Long Beach | California | |
Kenneth Walker | Ralls ISD | Ralls | Texas | |
Jennifer Walter | University of North Carolina at Greensboro | Greensboro | North Carolina | |
John Ware | Stovall Middle School | Houston | Texas | |
Brandon Weeks | North Polk High School | Alleman | Iowa | |
Lisa Werner | St. Bruno Parish School | Dousman | Wisconsin | |
Elizabeth White | Holcomb RIII | Holcomb | Missouri | |
Tyler Wigglesworth | West Covina High School | West Covina | California | |
Paula Williams | The Ron Clark Academy | Atlanta | Georgia | |
Sandi Wilson | Franklin School of Innovation | Asheville | North Carolina | |
Damion Womack | The Montgomery Academy | Montgomery | Alabama | |
Tammy Yi | Chapman University and LA Phil YOLA Program | Orange County | California | |
Jason Younts | Samuel V. Champion High School | Boerne | Texas | |
DeAnna Zecchin | Indian River High School | Dagsboro | Delaware |
Avril Lavigne
Photo: Tyler Kenny
list
As Avril Lavigne celebrates a major career milestone with the release of her new 'Greatest Hits' compilation, rock out to 15 of the pop-punk icon's signature songs, from "Complicated" to "Bite Me."
Glenn Rowley
|GRAMMYs/Jun 20, 2024 - 02:17 pm
"Hey, hey, you, you!" There's simply no debate: when it comes to the world of pop-punk, Avril Lavigne has always been the people's princess. Bursting onto the scene with her 2002 debut Let Go, the then-teen singer/songwriter was dubbed an overnight sensation with hits like "Complicated," "Sk8er Boi" and "I'm With You."She soon became one of the primary artists driving the pop-punk explosion of the 2000s — and remains one of the genre's primary legends more than 20 years later.
Lavigne's appeal went far beyond the mass of skaters and suburban kids who devoured her early music. Within months of Let Go's release, she had earned five GRAMMY nominations (tying fellow newcomer Norah Jones for the most nods of 2003) and a year later, she racked up three more.
As pop-punk's first wave began to crest, the singer broadened her sights beyond the genre she'd helped pioneer, exploring everything from power pop to confessional alt-rock to Christian rock, as well as collaborations with artists as varied as Marilyn Manson and Nicki Minaj. And when pop-punk's second wave hit at the start of the 2020s, Lavigne made a triumphant return to the genre with 2022's Love Sux and the 20th anniversary reissue of Let Go.
Now, she's set to release her first-ever Greatest Hits compilation on June 21, spanning more than two decades, seven albums and nearly two dozen hits on the Billboard Hot 100. To commemorate the album (and its coinciding Greatest Hits Tour), dive into 15 tracks that assert Lavigne's undeniable title as the "motherf—in princess" of pop-punk — from hits like "Sk8er Boi" to deep cuts like "Freak Out."
"Complicated," 'Let Go' (2002)
What better way to begin than with the song that started it all? Released as her debut single in the spring of 2002, "Complicated" declared a then-17-year-old Avril Lavigne as a major talent to watch.
Eventually, the pop-rock ode to teenaged authenticity became one of the biggest songs of the year, and led to her debut full-length, Let Go, becoming the third highest-selling LP of 2002 in the U.S. (It's since been certified 3x platinum by the RIAA and sold more than 16 million copies around the world.)
It's hard to overstate just how influential Lavigne's breakout year was, starting with "Complicated." The track peaked at No. 2 on the Hot 100, helping the newcomer earn nominations for Best New Artist, Song Of The Year, Best Female Pop Vocal Performance and Best Pop Vocal Album (for Let Go) at the 2003 GRAMMY Awards. Its runaway success also helped launch pop-punk's explosion into the mainstream, and the proliferation of artists and female-fronted bands that followed — from Paramore, Ashlee Simpson and Kelly Clarkson to Gen Z hitmakers like Olivia Rodrigo, Billie Eilish and Meet Me @ The Altar — are indebted to Lavigne's trailblazing success with the song.
Read More:
"Sk8er Boi," 'Let Go' (2002)
"He was a boy, she was a girl, can I make it any more obvious?" From those 15 words, Lavigne spun a pop-punk fairy tale for the ages.
If "Complicated" was an introduction to her talent, "Sk8er Boi" was the new star's real coronation as the reigning princess of the genre. Everything about Let Go's second single is nothing short of iconic, from the star-crossed love story between a skater destined for punk rock greatness and the ballet dancer who wasn't brave enough to love him, to the lip ring and striped tie Lavigne sported in the music video (the latter of which you can still purchase to this day from her official store).
"Sk8er Boi" dispelled any notion that the teenage upstart would be a flash in the pan relegated to one-hit wonder status. In fact, the song notched Lavigne a second consecutive Top 10 hit on the Hot 100, and landed her a fifth GRAMMY nomination at the 2003 ceremony, for Best Female Rock Vocal Performance. But the cherry on top of it all? The eleventh hour twist in the track's bridge that the ballet dancer's loss was Avril's gain.
"My Happy Ending," 'Under My Skin' (2004)
After all the commercial success and critical acclaim showered on her in the wake of Let Go, Lavigne chose to forgo taking the easy road with another pop-infused mainstream win. Instead, she plunged into the darkness for 2004's Under My Skin, exploring post-grunge, nu metal and even hard rock influences on the punk-infused LP. The biggest hit from the album was second single "My Happy Ending," which became Lavigne's fourth No. 1 at Top 40 radio and spent four weeks in the Top 10 of the Hot 100, peaking even higher on the latter than "Sk8er Boi" had two years prior.
The downcast breakup anthem was the first time Lavigne put her broken heart on display ("All this time you were pretending/ So much for my happy ending," she lamented as the piano-driven verses swirled into a guitar-heavy chorus), and the result was an electric kiss-off delivered with equal parts anger, shock and a tinge of bitter sarcasm.
The singer may not have gotten her happily ever after, but turning the doomed relationship into a scathing goodbye certainly earned her the last laugh: the song helped propel Under My Skin to becoming one of the top-selling albums of the year worldwide.
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"Girlfriend," 'The Best Damn Thing' (2007)
It wasn't all doom, gloom and angry tears on Under My Skin, however. Lavigne proved she was equally adept at bouncing back from a particularly disappointing Sk8er Boi with a devilish grin and a chip on her shoulder on the bouncing "He Wasn't."
While the brash ditty wasn't officially released as a single in the U.S. — instead being pushed to radio in Europe, the United Kingdom, Australia, and her native Canada — it quickly became a fan favorite from the album. Nearly 20 years on, the song and its rowdy music video (come for Avril wearing fairy wings and a bright pink tutu, stay for her shattering a camera with the butt of her guitar) rather perfectly encapsulate the singer's place as one of the rare female voices at the forefront of the second-wave post-grunge movement.
"Freak Out," 'Under My Skin' (2004)
Giving authority figures the middle finger has long been a hallmark of Lavigne's brand, and nowhere is that more clear than on Under My Skin deep cut "Freak Out." "Try to tell me what I shouldn't do/ You should know by now I won't listen to you," she scowls before ratcheting up the lyrical drama on the booming chorus.
The track's second verse serves as a veritable manifesto for an entire generation of emo kids, as Lavigne offers the following advice to her fans: "You don't always have to do everything right/ Stand up for yourself and put up a fight/ Walk around with your hands up in the air/ Like you don't care." When in doubt? "Just freak out, let it go."
In retrospect, Under My Skin is often rightfully credited as one of the defining albums of pop-punk's 2000s heyday. And it's clear Lavigne is proud of the album's impact on both her career and the genre she helped pioneer, considering four of its singles — including "Don't Tell Me" and "Nobody's Home" — are included in the 20 tracks featured on her upcoming Greatest Hits compilation.
"Girlfriend," 'The Best Damn Thing' (2007)
Lavigne turned the power pop up to 11 for her third album, 2007's The Best Damn Thing, and traded the myopic grunge of her previous era for a blast of sugar-coated, self-confident sass. Lead single "Girlfriend" let the singer unleash her inner pop-punk princess like never before, as she played a mean girl with a flirtatious streak who somehow made stealing another girl's man seem lovable.
The unabashed bop was the first time Lavigne proudly declared herself "the motherf—in' princess," and the song's relentless sing-song hook was so addictive that it became the star's first single to top the Hot 100. Lavigne broke several records with "Girlfriend," which became one of the best-selling songs of 2007 and the most-viewed YouTube video of 2008 — as well as the first to ever reach 100 million views on the platform.
Still can't get enough of "Girlfriend"? Hardcore fans know that the official remix with Lil Mama might even outdo the fizzy perfection of the original.
"The Best Damn Thing," 'The Best Damn Thing' (2007)
For the title track off The Best Damn Thing, Lavigne doubled down on the bright and bubbly persona she'd donned on "Girlfriend." In fact, the song's opening rallying cry of "Let me hear you say hey, hey, hey!" and a call-and-response bridge are so downright peppy that it seems almost hard to believe they came from the same artist who thrashed her way through Under My Skin.
Released as The Best Damn Thing's fourth and final single, the song of the same name is more melodic than its chart-topping predecessor, with Lavigne unapologetically laying out the type of treatment she expects from a man in cheerleader fashion ("Gimme an A! Always give me what I want!/ Gimme a V! Be very, very good to me!"). After all, a pop-punk princess deserves a Cinderella story of her own.
"What the Hell," 'Goodbye Lullaby' (2011)
Riding high off the commercial success of The Best Damn Thing, Lavigne kicked off the rollout for her fourth studio album, 2011's Goodbye Lullaby, with "What the Hell," a playfully bratty banger that found her toying with a love interest and vowing, "All my life I've been good/ But now I'm thinking, 'What the hell!'"
Produced and co-written by pop impresarios Max Martin and Shellback, "What the Hell" melded Lavigne's snarky songwriting sensibilities and penchant for bucking authority with a catchy, singalong refrain. But the lead single actually proved to be something of an outlier on the pop-punk princess' fourth go-around, as the rest of the album utilized a stripped-back sonic palette to lay her heartbreak bare in the wake of divorcing Sum 41 frontman Deryck Whibley.
"Bad Reputation," 'Goodbye Lullaby' (2011)
Goodbye Lullaby may have been Lavigne's first foray into a more acoustic sound — complete with introspective lyrics and surprisingly sincere song titles like "I Love You" and "Everybody Hurts" — but she couldn't resist adding a little snarl to the album's softer, more sensitive proceedings. So for the deluxe edition of the album, she featured her take on Joan Jett's classic 1980 single "Bad Reputation" as a bonus track.
Lavigne had originally recorded "Bad Reputation" for the soundtrack to the Japanese anime feature film One Piece Film: Z (it even reached the top 10 on Japan's Hot 100!). But she apparently liked the cover so much that it ended up on the track list of not one, but two of her albums, as the song was also included on 2013's Avril Lavigne.
"Here's to Never Growing Up," 'Avril Lavigne' (2013)
Even as she approached her thirties, Lavigne wasn't about to give up her spot as pop-rock's resident wild child. Case in point: "Here's to Never Growing Up," the lead single off her fifth album, 2013's Avril Lavigne. Over a peppy stomp-clap rhythm, the singer shouts out an undying love of Radiohead, dancing on bar tops and making late-night memories with your best friends as the boombox blares all your favorite songs.
There's a thread of bittersweet nostalgia running through the midtempo jam — one that's sure to pierce the heart of any millennial listening as Lavinge sings, "Say, won't you say 'forever'?/ Stay, if you stay forever/ Hey, we can stay forever young." It's not that the singer's refusing to acknowledge the cruel act of getting older on the track, she's just rebelling against the notion that adulthood should be a dreary slog of, you know, taxes and laundry and all of those lame adult responsibilities.
"Rock N Roll," 'Avril Lavigne' (2013)
Lavigne once again put her middle finger to the sky and re-upped her rock star credentials on the appropriately titled "Rock N Roll," the second single off her self-titled album. The spirited singalong finds the singer reveling in her eternally bad attitude as she wails, "I don't care if I'm a misfit/ I like better than the hipster bulls–/ I am the motherf—in' princess/ You still love it."
Though "Rock N Roll" didn't make quite as much of an impact on the charts as some of the other hits on this list, it remains one of the most underrated bangers in her entire discography. Plus, the song gifted fans with the campy, comic book-inspired music video starring Lavinge, Danica McKellar, a drunk-driving Doberman and one very unlucky lobster as they race across a dystopian wasteland to save rock and roll from the clutches of an evil bear-shark. (Billy Zane shows up on a rocket-powered Segway at some point, too — just go with it.)
"Head Above Water," 'Head Above Water' (2019)
Proving that pop-punk doesn't always have to come with an in-your-face, "f— you!" attitude, Lavigne released "Head Above Water" — the lead single and title track to her 2019 album — five years into an often confusing, devastating and all-consuming battle with Lyme disease.
"One night I thought I was dying, and I had accepted that I was going to die," she revealed at the time of the song's unveiling. "My mom laid with me in bed and held me. I felt like I was drowning. Under my breath, I prayed, 'God, please help to keep my head above the water.' In that moment, the songwriting of this album began."
Lavigne taps into a truly admirable well of resilience and hope on the spiritual ballad as she sings, "Yeah, my life is what I'm fighting for/ Can't part the sea, can't reach the shore/ And my voice becomes the driving force/ I won't let this pull me overboard." Unlike anything that's come from the singer's catalog either before or since, "Head Above Water" remains a powerful testament to the beloved pop-punk princess' inner strength.
"Bite Me," 'Love Sux' (2022)
As the 2010s gave way to a new decade, pop-punk made a surprise resurgence in popularity while Lavigne was making major moves of her own; she left BMG after just one album to sign with Travis Barker's DTA Records in 2021 (about which she fittingly declared, "Let's f— s— up!"). Partnering with the blink-182 drummer sparked some serious magic in the studio, as her seventh studio album, 2022's Love Sux was a wildly entertaining return to her pop-punk roots after the emotional catharsis of Head Over Water.
On lead single "Bite Me," Lavigne effortlessly dusted off her crown and reclaimed her throne with an octave-jumping vocal performance. Along with proving she still has the chops, the singer simply sounds like she's having a hell of a lot of fun as she snaps back at an ex-flame who made the mistake of crossing her. Pop-punk's reigning princess? Try queen.
Read More: How 'Love Sux' Led Avril Lavigne To True Love, Her First Fangirl Moment And An Album Process That Was 'Just Stupid Fun'
"All I Wanted" feat. Mark Hoppus, 'Love Sux' (2022)
Lavigne collaborated with plenty of special guests on Love Sux, from blackbear (on love-drunk single "Love It When You Hate Me") to eventual tourmate Machine Gun Kelly (on delicious battle of the sexes "Bois Lie"), but no other duet on the album holds a candle to "All I Wanted" featuring blink-182's Mark Hoppus.
The supercharged deep cut features the two trailblazers rocking out in a whirling dervish of escapist bliss, playing a sort of pop-punk Bonnie and Clyde as they bust out of the town they're stuck in. And in doing so, they proved they're more than happy to show the new kids at the rock show just how it's done.
"Breakaway," 'Let Go (20th Anniversary Edition)' (2022)
And finally, a proper celebration of Lavigne's status as pop-punk royalty wouldn't be complete without including the biggest song she ever gave to another artist. As the story goes, the singer/songwriter originally penned "Breakaway" for her debut album, but the hope-filled anthem didn't quite fit with the vibe of Let Go tracks like "Complicated," "Sk8er Boi," "Losing Grip," and "I'm With You." So instead, she gave it to a fresh-faced newcomer by the name of Kelly Clarkson, who had just come off of winning a little reality TV experiment called "American Idol."
After being featured on the soundtrack to The Princess Diaries 2, "Breakaway" became the centerpiece and title track of Clarkson's 2004 sophom*ore album, which helped turn her into a bonafide superstar — and the rest, as they say, is history.
Lavigne started performing the song live for the first time on her 2019 Head Above Water Tour, which naturally left fans clamoring for a studio version. Blessedly, the pop-punk icon gave them exactly what they wanted by revisiting "Breakaway" in the recording studio for the 20th anniversary edition of Let Go in 2022. She even reinstated her original lyrics in the opening stanza ("Grew up in a small town/ And when the snow would fall down/ I'd just stare out my window") for a personal touch that connected back to her roots in Greater Napanee, Ontario.
Clarkson may have made the song famous, but the beating heart of "Breakaway" will always be Lavigne's story — one of a small-town girl who bet on herself, only to become a trailblazing artist whose legacy is forever cemented in the pop-punk history books.
The State Of Pop-Punk: A Roundtable Unpacks The Genre's Past, Present And Future
Kehlani
Photo: Mia André
interview
"I want this next batch of music to feel like the most fiery parts of me," Kehlani says of her new album, 'Crash.' The singer/songwriter speaks with GRAMMY.com about embracing the moment and making an album she can headbang to.
Lior Phillips
|GRAMMYs/Jun 20, 2024 - 01:07 pm
After finishing the first mixes of their new album, Kehlani knew exactly what she needed to do: head to Las Vegas.
The L.A.-based, Oakland-born singer/songwriter had always identified with Sin City: "I’m full of juxtapositions," she tells GRAMMY.com. "Vegas is this crazy bright light city in the middle of a vacant desert that has weddings and also strippers." Fittingly, Kehlani harbored a very Vegas-like image in their head while creating Crash, a record built on blaring neon, glowing smoke, and the highest highs.
Crash drops June 21, and is Kehlani's fourth solo album. She burst onto the scene in 2009 as a member of teen sextet PopLyfe, but their 2014 debut solo mixtape Cloud 19 announced a far more complex character. Their debut full-length, SweetSexySavage, was released three years later to critical acclaim, with two more albums and a handful of platinum-certified singles following. As if that weren’t enough, Kehlani added acting, appearing in "The L Word: Generation Q" and a cameo in Creed III.
And while Crash embodies the evolution and growth through all those experiences, the record builds a hyper-real language all their own. Beyond any sense of R&B or pop, soul or hip-hop, Crash finds Kehlani chasing passions that refuse to fit in any box, shifting multiple times within a track — refusing to focus on anything but the moment.
"A crash isn't anything from the past. It isn't the anxiety of what's about to happen," she says. "It's the height of the moment. It's right now."
Nearing the release of Crash, Kehlani spoke with GRAMMY.com about finding inspiration from international music, getting their five-year-old to sing on the album, and their need to stage dive.
What’s it like living in Los Angeles after growing up in the Bay Area?
I moved to L.A. when I was about 17. I had already left the house. I left the house at 14, and by the time I was almost 18 it was the appropriate time for me to situate in a new place. L.A. and the Bay are like cousins. Do we have differences? Absolutely, things that are fundamental to us, but when you leave California, you can really see that we're just like a big family.
Had you been dreaming of L.A. as a place where you could pursue art? Were you already set on that goal?
It was the closest place that a young, very broke person could go and work in music. I'm sure there were other places with musical homes, musical cities, but if all I had to do was get on a $15 bus and go find someone to stay with in L.A., I was gonna do it for sure.
That’s the same ambition that I feel drives this new record, which is just so dense and full of surprises. That includes the lovely retro radio intro to "GrooveTheory," where you move from this ‘60s pop feel to the present. That’s such a smart way to foreground your evolution.
I think the second that we made that song and then turned it into ["GrooveTheory"], I was like, This feels like it encompasses where I'm headed, this whole new sound.
Once that radio dials in and it comes in with R&B elements, it's producing where I'm headed, but also remembering that my core hasn't changed. Especially the energy of what I'm saying in the song, like, "I'm kind of crazy," it's introducing this energy difference on this album. I feel like that's the biggest change, and that's what's so prevalent in this whole rollout. Energetically, I'm on a whole different type of time.
You can sense it. 'Crash' feels really rooted in self-expression and personal growth, and when you listen to it as a whole, it really does seem like an evolution story. Beyond just the genre and style, how do you feel the way that you've expressed your true self has shifted over the years?
Thank you! That's been the feedback I've gotten from pretty much everyone who's listened, and I don't know what I expected, but it wasn't this. I have realized the public's understanding of me and the general consensus for so long, and I also realized how multi-faceted I am to people.
People get really confused when I express all the sides of my personality. They’re either, like, "Okay, she makes really sweet love songs," or "We've seen you be political, we've seen you come out, we've seen you be a family member." And then there's a lot of people who are, like, "I feel like she's f—ing crazy. I've seen her in multiple relationships. I've seen her be angry. I've seen her get online and cuss people out."
I want this next batch of music to feel like the most fiery parts of me. I want it to feel like the most present and energetic parts of me. I don't want anything to feel somber. I don't want anything to feel reminiscent. I think a lot of my albums in the past have been me looking back, and sitting in that feeling and detailing it. I just wanted [this album] to feel right here, right now, which is why the title came about. A crash isn't anything from the past. It isn't the anxiety of what's about to happen. It's the height of the moment. It's right now.
That’s unfortunately a story you hear too often about artists of color — that essentialization, where you can only be seen as one thing. R&B often gets hit with those same issues. Throughout your career you’ve stood up to those expectations, and "Better Not" on this album is such a good example of that. It’s a left turn, a stylistic contrast and an open conversation with the listener. You cleverly fuse that intentionality with a voice that’s stronger than ever.
In the past, I have had moments where I would make the song and [start recording], and there would be so many versions of each song on different microphones, recorded in different places.
"Let me try vocal production. Let me try to go back and work with this version again." I went back and did vocal production with Oak Felder, who did all the vocal production on SweetSexySavage. When I come back to some of my favorite vocal production moments, it was moments like "Distraction" or "Advice" or "Escape" — songs on my very first album — and I wanted to get that feeling again. Where it's lush where it needs to be, but also that I really mean what I'm saying.
That started with the approach in the songwriting. Once I had the songs and I had to go back and deliver them, I had enough time to listen and listen, to learn the songs and identify with them. We would make music all day and then go out, and we would be in this sprinter van on the way to going out, and, like, bang, the songs we just made, the energy was just different. It allowed me to be present in a different way where my voice is able to show up like that.
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Which again ties perfectly to crashing into the present. As someone from South Africa, I love that the other guests that you included represent different cultural viewpoints. You worked with Young Miko from Puerto Rico, Omah Lay from Nigeria. Having that musical dialogue is so powerful.
We had so many conversations about how America's in the backseat often when it comes to music. We have our moments, and it's fantastic, like Beyoncé’s Cowboy Carter. There's a culture that is super American, that is Black, that historically needs to be dived into. It needs to be shown that we do have something here.
So many people that don't speak Spanish bang Bad Bunny all day. Amapiano’s taking over; Tyla’s going up. It's really not here. So that wasn't a conscious choice. It's just what we've all been listening to, what we've been loving.
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Speaking of guests, I wanted to ask about your daughter, whose voice is on "Deep." Was she just in the studio and you got her singing?
So those vocals on that, that’s actually my little sister and my goddaughter. And [my daughter] was in the room and she started singing along. She has perfect pitch; she's always freestyling or singing or making something up.
I was like, "You want to just go sing on it?" What's on there is her first take. Literally. She did it the first time, all the way through, perfectly. I was like, "Well, that's it, guys. I can retire."
That track is so lush. It feels so alive. Were you working with a full band?
[Producer] Jack Rochon, who I did a lot of the music with, he just is a freaking genius music whiz. Honestly, he's one of the most humble people that I know, and deserves credit for how amazing a lot of this album is.
Talking about touchstones, there's a Prince energy to the title track. Did you have any new inspirations or influences for this record?
Thank you! My main focus for this album came from going on tour for my last one and making such a pretty, sweet, intimate album, and then playing some of the biggest venues of my career. At some point I had to rearrange the setlist to add in a lot of the album before that one, because it was just more energy on the stage. By week two of tour, the setlist had completely changed. I knew that I was playing venues on this next tour that I've dreamt about, places that I can't fathom that I'm playing, like Barclays Center.
I do a lot of things for, like, my inner child, and this is such a move for my inner child. Like, You're about to go play Barclays. Do you want to look back and say, ‘I rocked out and played Barclays’? I'm a person who headbangs on stage. I stage dive. I wanted to create an album that would ring through a venue like that. I want people to be engaged again. I'm not looking for the lighters and the somber, holding each other — which will occur regardless, because it's a me show.
But I really wanted people to be in their bodies, and their heart’s exploding and the ground’s shaking. So that's what we accomplished. I wanted to have fun. This album is so fun to me. It’s a place of fire in my heart.
It took me a second to get the word play on "Eight." I loved the track, and then suddenly I was like, 'Oh… I knew there was something raunchy going on here.'
[*Laughs.*] "Eight" was super fun, and shoutout to the boys that I did it with, because they made it everything for me.
I didn't come up with the wordplay. My boys did. Like, "This is how you talk!" I was like, "It is! This is perfect." Once I got in to fix things, add things, add my own spin, and finish writing, my favorite part was that it sounds like a Brandy song. She's my favorite.
I also wanted to ask about the Nina Sky sample on "After Hours."
That was mine. I was like, "What can we flip that when it comes on, my generation loses their mind?" And for me, every single time that Nina Sky comes on in the club, everybody's like "Woo!" And then you see how many songs were made from that same sample, and they're all songs that make us lose our minds.
I went into the room with the producers, and I was like, "So, I want to flip this, but I want you to make it to where it doesn't become one of those where the whole thing is just a sample."
Similarly, "Lose My Wife" balances breeziness with high emotional stakes. Is finding a balance like that just natural for someone so capable of juxtaposition?
The second that we established that [the record] felt like Vegas, I knew what components were missing from the energy of how I feel the second my car crosses the line into the city of Las Vegas. I knew I was missing that feeling of the next morning when you realize you went on this high and you come down. I wanted to create these scenarios that weren't necessarily applicable to me, but captured that emotion. I've been there before, and I want people to be like, Damn, I've been there before. I know this feeling.
I recorded that song at 4 in the morning with a sinus infection. The second that we finished it, everybody was like, "You can never re-sing that. Don't try to make another version, you're not gonna be able to sound like that again." All the chatter in the background of that song is really everybody who was in the studio that stayed up to just hang out. We had the tequila out, it was perfect. That was probably one of my favorite moments of making the album.
It takes a while as an artist to reach a place where you can capture those moments. You said before that people try to figure you out, and I mean this in the best possible way, but it feels like now you don’t care if they can’t figure you out.
I don't give a f—anymore, yeah. And that was a very important thing for me to learn. I used to care so much, and I would spend so much time explaining myself online, in music, in interviews, on stage. I realized that you're damned if you do, damned if you don't.
I've been so forward-facing with my heart my entire career that I've left a lot of room for people to consistently pedestal me and then critique me, for people to want to tear me down. I realized I'm just being present, here, existing loudly in front of a billion people, and whichever way that goes is how the cookies gonna crumble. Me giving a f—? I'm the only one it's affecting at this point, for sure.